Download free Logic 7 for Mac OS X : Visual QuickPro Guide | zokuseioyaのブログ – 楽天ブログ – Publisher Description
Throughout this exercise you can click the Play button in the Drummer Editor to start and stop playback, or you can navigate the workspace by pressing the Spacebar Play or Stop and the Return key Go to Beginning. The toms are dimmed to indicate that they are muted. In the Intro region, the toms disappear from the top lane. In the Intro region, snare hits appear next to the kick hits on the bottom lane. To play the kick in only the first half of the intro, followed by the kick and snare in the second half, you will cut the Intro region in two.
The region is divided into two two-measure regions. When a region is divided, the drummer automatically adapts his performance, and plays a fill at the end of each new region. Notice how the crash disappears from the first beat of the following region. Even though it is in another region, the crash is actually a part of the fill.
The snare plays every beat. Now the drummer plays rim clicks at the beginning of the first Intro region, and hits the snare a few times at the end. The drums play a straightforward beat with a fill at the end. Now you will open the hi-hat to add energy to the end of the intro. The drummer plays the snare on the first eight beats, and then a basic rock pattern with a very open hi-hat adds energy. At bar 5, a crash punctuates the fill at the end of the intro.
The straightforward groove continues in the Verse section with the hi-hat a little less open to leave space to later add a singer. Editing the Bridge Drum Performance In a song, the bridge serves to break the sequence of alternating verses and choruses. Often, the main idea of the song is exposed in the choruses, and verses help support or develop that statement.
The bridge can present an alternate idea, a different point of view. For this fast, high-energy indie-rock song, a quieter bridge in which the instruments play softer will offer a refreshing dynamic contrast. Playing softer does not mean the instru- ments have to play less, however. In fact, you will make the drums play a busier pattern during this bridge.
When pressing the Spacebar to play a section, you can use Cycle mode to ensure that playback always starts at the beginning of the section. The drummer plays at the same level as in the previous sections, but he plays more here. You need to bring down his energy level. When you click the toms, the hi-hat is automatically muted.
Aside from the kick and snare, the drummer can focus on the toms, the hi-hat, or the cymbals ride and crash. Kyle is now playing sixteenth notes on the toms, which create a mysterious vibe simi- lar to tribal percussions.
You will make him switch from the toms to the ride cymbal in the second half of the bridge to brighten things up. While the second Bridge region is still selected, you can adjust the cycle area. The toms are muted, and the drummer now plays the ride cymbal. However, the groove still seems to be missing something. You can hear rim clicks. He plays a crescendo, thereby building up energy to lead into the next chorus. Kyle plays slightly ahead of the beat during the bridge. You will be editing the feel of both Bridge regions simultaneously.
At the top of the Drummer Editor, the ruler, Play button, and playhead are hidden because multiple regions are selected. You can now adjust the settings of all the selected regions at once.
Settle on a Feel knob position more toward Pull to realize a reasonably relaxed groove. Kyle now starts the bridge with a busy pattern on the toms, and then moves on to a bell sound on the ride. He uses restraint, hitting softly and behind the beat, with a slight crescendo toward the end.
The quiet and laid-back yet complex drum groove brings a welcome pause to an otherwise high-energy drum performance, and builds up tension leading into the last two sections. That Chorus region was created when you populated the track with Drummer regions earlier in this lesson.
The drummer now plays the crash, and this last chorus is more consistent with the previous two choruses. The drummer plays a loud beat, heavy on the crash, which could work for an outro. You will, however, make him play double-time twice as fast to end the song in a big way. Playing double-time at that fast tempo makes the sixteenth notes on the kick drum sound ridiculously fast.
The performance now sounds more realistic while retaining the driving effect of its double-time groove. The drum fill at the end of the outro is now longer. However, raising the number of fills has the undesirable effect of adding a new fill in the middle of the outro.
To remove that fill, you will cut the Outro region in two. You now have two two-bar Outro regions. The outro has the required power to drive the last four measures; however, it seems like the drummer stops abruptly before he can finish his fill. Usually drummers end a song by playing the last note on the first beat of a new bar, but here a crash cymbal is missing on the downbeat at bar You will resize the last Outro region in the work- space to accommodate that last drum hit.
A moment after you release the mouse button, the Drummer region updates, and you can see a kick and a crash on the downbeat at bar The drummer finishes his fill, punctuating it with the last hit at bar You are now done editing the drum performance and can focus on the sound of the drums.
Customizing the Drum Kit When recording a live drummer in a studio, the engineer often positions microphones on each drum. This allows control over the sound of each drum, so he can individually equalize or compress the sound of each kit piece. The producer may also want the drum- mer to try different kicks or snares, or to experiment with hitting the cymbals softer before he begins recording. In Logic, when using Drummer, the sounds of each drum are already recorded.
However, you can still use several tools to customize the drum kit and adjust the sound of each drum. You will study Smart Controls in more detail in Lesson 5. In this exercise, you will use Smart Controls to quickly adjust the levels and tones of dif- ferent drums. The Smart Controls pane opens at the bottom of the main window, replacing the Drummer Editor.
It is divided into three sections: Mix, Compression, and Effects. In the Mix section, six knobs allow you to balance the levels of the drum. To the right of each knob, a button lets you mute the corresponding drum or group of drums. On the left channel strip in the inspector, the Compressor plug-in is dimmed, indicat- ing that it is turned off. As you drag up the knob, you will start hearing the subtle reverberation of a drum booth.
In the inspector, you can see the Bus 1 Send knob move along with the Tone knob. It allows you to customize the drum kit by choosing from a collection of drums and cymbals and tuning and dampening them. You can also drag Drummer regions to another software instrument track, and they are automatically converted to MIDI regions. You can hear the snare sample. The snare stays lit while the rest of the drum kit is in shadow. To the left, a Snares panel contains your choice of three snare drums, and to the right, an Edit panel includes three setting knobs.
The left panel shows only a limited selection of snares. To gain access to the entire collection of drum samples included with Logic Pro X, you need to choose a Producer Kit in the Library. To the left of the inspector, the Library opens, listing patches for the selected track. The current patch, East Bay, is selected. His music is used worldwide on television, radio and film, and has been featured on hit shows like The Apprentice , Top Gear and CSI:NY.
Through MOTTOsound www. uk , Russ works freelance in the industry as a mastering engineer, writer, and consultant. Russ currently lectures part-time for York St John University and has taught extensively in Higher Education institutions in the UK. You will create both acoustic. Pitch to correct the pitch of a vocal recording.
Downloadable lesson and media files allow you to perform the hands-on exercises. Focused lessons take you step by step. Ample illustrations help you master techniques fast. Lesson goals and time estimates. Chapter review questions help you prepare for the Logic Pro X Apple Pro Training Series is both a self-paced learning tool and the official curriculum of the Apple Training and.
Certification program. Upon completing the course material in this guide, you can become Apple Certified by passing the. Logic Pro X To find an Apple Authorized Training.
Provider near you, please visit training. Read more Read less. Customer reviews. How are ratings calculated? Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyses reviews to verify trustworthiness. Top reviews Most recent Top reviews. Top reviews from India. There are 0 reviews and 0 ratings from India. Top reviews from other countries. Translate all reviews to English.
Verified Purchase. Report abuse. 基本操作をマスターしている人を対象にしたチュートリアル。用いられている曲がつまらない点を除けば、充実した内容となっている。個人的にはプラグインとシグナルフローの解説が特に為になったが、各種ショートカットや便利なキーコマンドの割り当てなども参考になった。また、一般の入門書では取り上げないスコアエディタやビデオの話題もある。 ただし、内容的には広く浅くといった感は否めない。プラグインやエンバイロメントにはもっと紙面を割いてほしかった。とはいえ、本書を学習すれば、マニュアルがずっと読みやすくなるので、後は必要に応じてマニュアルを参照にすればいいだろう。. One person found this helpful. Translate review to English. Covers all the bases! After using Martin Sitters book, “Logic Pro 7 and Logic Express 7: Professional Music Creation and Audio Production”, I read the promise of an Advanced version of the series.
So, let me say from the outsetDavid Dvorin does not disappoint! This book is written in the same format of Sitter’s bookthat is, well-written tutorials covering a LOT of information in each chapter well-geared towards practical use.
This one starts with a couple of chapters on more efficient use of Logic and getting your interfaces set up efficiently.
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The additional bonus interviews were a nice feature too — it was good to hear from professionals in the industry and get their input on a lot of topics related to the field. Really enjoyed it, thanks! Through this training, you will learn how to set up remix stems in projects, use insert effects, create instrument tracks, and mastering missing track.
The program will aid you become a Logic Pro X power user. If you have a shoestring budget and want to learn how to create killer beats, then this is the perfect class for you. This tutorial has been developed by Dot Bustelo who is an internationally-recognized Logic Pro software specialist, film composer, sound designer and music producer. The instructor will show you how to make music using Logic Pro X software.
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Logic Pro の設定方法や使い方をはじめ、さまざまなトピック、関連情報、お問い合わせ方法についてご案内します。 Logic Pro User Guide. What’s new in Logic Pro. What’s new in Logic Pro Free tempo recording and other Smart Tempo enhancements. You can use the Free. 複数の音声を重ねてプロ級の音声ミキシング。初心者でもらくらくのシンプル操作。PC/Mac対応。